Great Movie Tips


Great Movie Tips02 Nov 2009 06:56 am

The film “Titanic” is riddled with moral dilemmas. In one of the scenes, the owner of Star Line, the shipping company that owned the now-sinking Unsinkable, leaps into a lowered life-boat. The tortured expression on his face demonstrates that even he experiences more than unease at his own conduct: prior to the disaster, he instructed the captain to break the trans-Atlantic speed record. His hubris proves fatal to the vessel. Moreover, only women and children were allowed by the officers in charge into the lifeboats.

But the ship’s owner was not the only one to breach common decency and ethics.

The boats could accommodate only to half the number of those on board and the First Class, High Society passengers were preferred to low-life immigrants under deck and other Third Class passengers.

Why do we all feel that the owner should have remained aboard and faced his inevitable death? Because we judge him responsible for the demise of the ship. His disastrous interference - motivated by greed and the pursuit of celebrity - was a crucial contributing factor. The owner should be punished for what he had done, we feel. This closure intuitively appeals to our sense of natural justice.

Would we have rendered the same judgment had the Titanic’s fate been the outcome of accident alone? If the owner of the ship had had no contribution to the circumstances of its horrible end - would we have still condemned him for saving his life? Less severely, perhaps. So, the fact that a moral entity had acted (or omitted, or refrained from acting) is essential in determining its future rewards or punishments and in dispensing them.

The “product liability” approach also fits here. The owner (and his “long arms”: manufacturer, engineers, builders, etc.) of the Titanic were deemed responsible because they implicitly contracted with their passengers. They made a representation (which was explicit in their case but is implicit in most others): “This ship was constructed with knowledge and forethought. The best design was employed to avoid danger. The best materials to increase pleasure.”

That the Titanic sank was an irreversible breach of this contract. In a way, it was an abrogation of duties and obligations. The owner/manufacturer of a product must compensate those consumers whose product harms in any manner that they were not explicitly, clearly, visibly and repeatedly warned against. Moreover, he should even make amends if the product fails to meet the reasonable and justified expectations of consumers, based on such warrants and representations.

Compensation can be either in kind (as in more ancient justice systems) or in cash (as in modern Western civilization). The product called the “Titanic” took away the lives of its end-users. Our “gut instinct” tells us that the owner should have paid in kind. Faulty engineering, insufficient number of lifeboats, over-capacity, hubris, passengers and crew not drilled to face emergencies, extravagant claims regarding the ship’s resilience, contravening the captain’s professional judgment - all these seem to be sufficient grounds to sentence the owner to death on his own sinking product.

But shouldn’t the hapless owner have availed his precious place to women and children? Should not he have obeyed the captain’s orders (the marine law)? Should he willingly have succumbed to rules of conduct that put his life at risk?

The reason that the lives of women and children are preferred to men in salvage situations is because they represent the future. They are either capable of bringing life to the world (women) - or of living longer (children). Societal etiquette reflects the arithmetic of the species, in this (and in many another) case.

But if this were entirely and exclusively so, then young girls and female infants would have been preferred to all other groups of passengers. Old women would have been left with the men to die. That the actual (and declared) selection processes on the Titanic differed from our theoretical considerations says a lot about the vigorousness and applicability of our theories - and even more about the real world.

The owner’s behavior may have been deplorable - but it, definitely, was natural. He put his interests (his survival) above the concerns of his society and his species. Most of us would have done the same under the same circumstances.

The owner of the ship - though “Newly Rich” - undoubtedly belonged to the First Class, Upper Crust, Cream of Society passengers. These were treated to the lifeboats before the passengers of the lower classes and decks. Was this a morally right decision?

For sure, it was not politically correct, in today’s terms. Class and money distinctions were formally abolished three decades ago in the enlightened West. Discrimination in now allowed only on the basis of merit (on the basis of one’s natural endowments).

But, why should we think one basis for discrimination (merit) preferable to another (money or property)? Can we eliminate discrimination completely and if it were possible, would it have been desirable?

The answer, in my view, is that no basis for discrimination can hold the moral high ground. They are all morally problematic because they are deterministic and assign independent, objective, exogenous values to human lives. On the other hand, we are not born equal, nor do we proceed to develop equally, or live under the same circumstances and conditions. It is impossible to equate the unequal.

Discrimination is not imposed by humans on an otherwise egalitarian world. It is introduced by the world into human society. And the elimination of discrimination would constitute a grave error. Inequalities among humans and the ensuing conflicts are the fuel that feeds the engines of human development. Hopes, desires, aspirations and inspiration are all the derivatives of discrimination or the wish to be favored, or preferred to others.

Disparities of means create markets, labour, property, planning, wealth and capital. Mental inequalities lead to innovation and theory. Knowledge differentials are at the heart of educational institutions, professionalism, government and so on. Osmotic and diffusive forces in human society are all the results of incongruence, asymmetries, disparities, differences, inequalities and the negative and positive emotions attached to them.

The Titanic’s First Class passengers were preferred because they paid more for their tickets. Inevitably, a tacit portion of the price went to amortize the costs of “class insurance”: should anything bad happen to this boat, persons who paid a higher price will be entitled to receive superior treatment. There is nothing morally wrong about this. Some people get to sit in the front rows of a theatre, or to travel in luxury, or to receive better medical treatment (or any medical treatment) precisely because they can afford it.

There is no practical or philosophical difference between an expensive liver transplant and a place in a life boat. Both are lifesavers. A natural disaster is no Great Equalizer. Nothing is. Even the argument that money is “external” or “accidental” to the rich individual is weak. With the exception of pampered heirs and scions of old families - a minority - most rich people work hard for their wealth.

Often, people who marry money are judged to be insincere or worse (cunning, conspiring, evil). “He married her for her money”, we say, as though the owner and her money were two separate things. The equivalent sentences: “He married her for her youth or for her beauty or for her intelligence or for her erudition” sounds “wrong” by comparison. These are legitimate reasons to get married. Money isn’t.

But youth and beauty are more transient than money. As opposed to hard cash, these qualities are really accidental because the beneficiary is not responsible for “generating” them and can do nothing to preserve them.

Money, on the other hand, is generated or preserved (or both) owing to the personality of its owner. Owning, increasing, and preserving one’s wealth reflects more profoundly on one’s personality than youth, beauty and many other (transient or situation-dependent) “character” traits. Money is an integral part of its owner and a reliable indicator of his mental disposition. It is, therefore, a valid criterion for discrimination and for choice.

The other argument in favor of favoring the first class passengers is their contribution to society. A rich person contributes more to his society in the short and medium term than a poor person. Vincent Van Gogh may have been a million times more valuable to humanity, as a whole, than his brother Theo - in the long run. But in the intermediate term, Theo made it possible for Vincent and many others (family, employees, suppliers, their dependants, and his country) to survive by virtue of his wealth. Rich people feed and clothe poor people directly (through employment or charity) and indirectly (through taxation). The opposite, alas, is not the case.

Admittedly, this argument is somewhat flawed because it does not take time into account. We have no way to predict the future with any certainty. Each person carries the Marshall’s baton in his bag, the painter’s brush, the author’s fables. It is one’s potential that should count - not one’s standing in life. A selection process, which preferred Theo to Vincent would be flawed. In the long run, Vincent proved more beneficial to human society and in more ways - including financially - than Theo could have ever been.

But, in the absence of omniscience and precognition, all we can do is to prefer those who have proven themselves (the rich) to those who haven’t (the poor) - and those who can create life or live it (women and children) to those who can’t or have (men and the elderly).

Appendix - On Causation and Causality

And yet, the real question is this : why should anyone pay for his actions?

First, we must confront some thorny issues, such as determinism. If there is no free will, there can be no personal responsibility. Another problem is the preservation of personal identity: are the person who committed the act and the person who is made to pay for it - one and the same? If the answer is in the affirmative, in which sense are they the same, the physical, or the mental? Is the “overlap” between the two only limited and probabilistic?

We can assume, for this discussion’s sake, that personal identity is undeniably and absolutely preserved and that there is free will and, therefore, that people can predict the outcomes of their actions, to a reasonable degree of accuracy and that they elect to accept these outcomes prior to the commission of their acts or to their omission.

This does not answer the question, though. Even if there were a contract signed between the agent (acting person) and the world, in which the person willingly, consciously and intelligently (without diminished responsibility or capacity) accepted the future outcomes of his actions, the question would still remain: why should it be so? Why cannot we conceive of a world in which acts and outcomes are divorced? It is because we cannot believe in a world devoid of causality.

Causality is a relationship between two things, or, rather, events, the cause and the effect, one generating or produces the other. The first is the latter’s efficient cause and it acts upon it (it acts to bring it about) through the mechanism of efficient causation.

A cause can be direct (mediated by a physical mechanism or process) or merely explanatory (historical cause in a narrative). Of Aristotle’s Four Causes (Formal, Material, Efficient and Final), only the efficient cause creates something distinct from itself.

The causal discourse, therefore, is problematic (how can a cause lead to an effect, indistinguishable from itself?). Singular Paradigmatic Causal Statements (Event A caused Event B) differ from General ones (Event A causes Event B). Both are inadequate in dealing with mundane, routine, causal statements because they do not reveal an overt relation between the two events discussed.

Moreover, in daily usage we treat facts (as well as events) as causes. Not all the philosophers are in agreement regarding factual causation. Davidson, for instance, admits that facts can be relevant to causal explanations but refuses to accept them as proper reasons. Acts may be distinct from facts, philosophically, but not in day-to-day regular usage. Laymen (the vast majority of humanity, that is) perceive them to be the same things.

Pairs of events that are each other’s cause and effect are accorded a special status. But, that one event follows the other (even if invariably) is insufficient grounds to label them “cause and effect”. This is the famous “Post hoc, ergo propter hoc” fallacy. Other possible relations between the two events must be weighed and the possibility of common causation must be seriously contemplated.

Such sequencing is, conceptually, not even necessary: simultaneous causation and backwards causation are part of modern physics, for instance. Time seems to be irrelevant to the status of events as cause or effect, though both time and causation share an asymmetric structure (A causes B but B does not cause A).

Still, the direction (the asymmetry) of the causal chain is not of the same type as the direction (asymmetry) of time. The former is formal, the latter, presumably, physical, or mental. A more serious problem, to my mind, is the converse: what sets apart causal (cause and effect) pairs of events from other pairs in which both member-events are the outcomes of a common cause?

Event B can invariably follow Event A and still not be its effect. Both events can be the effects a common cause. A cause either necessitates the effect, or is a sufficient condition for its occurrence. The sequence is either inevitable, or possible. In short, we know little that is certain about causality.

Here, philosophers diverge. Some say (following Hume’s reasoning and his constant conjunction relation between events) that a necessary causal relation exists between events when one is the inevitable outcome (inevitably follows) the other. Others propound a weaker version: the necessity of the effect is hypothetical or conditional, given the laws of nature.

Put differently: to say that A necessitates (causes) B is no more than to say that it is a result of the laws of nature that when A happens, so does B. Hempel generalized this approach. He said that a statement of fact (whether a private or a general fact) is explained only if deduced from other statements, at least one of which is a statement of a general scientific law. This is the “Covering Law Model” and it implies a symmetry between explaining and predicting (at least where private facts are concerned). If an event can be explained, it can be predicted and vice versa. Needless to say that Hempel’s approach did not get us nearer to solving the problems of causal priority and of indeterministic causation.

The Empiricists went a step further. They stipulated that the laws of nature are contingencies and not necessary truths. Other chains of events are possible where the laws of nature are different. This is the same tired regularity theory in a more exotic guise. The Empiricist treatment of causality is a descendant of Hume’s definition of causality: “An object followed by another and where all the objects that resemble the first are followed by objects that resemble the second.”

According to Hume, nothing in the world is a causal necessity, events are only constantly conjoined. Regularities in our experience condition us to form the idea of causal necessity and to deduce that causes must generate events. Kant called this latter deduction “A bastard of the imagination, impregnated by experience” with no legitimate application in the world.

This bastard also constituted a theological impediment. God is considered to be “Causa Sui”, His own cause. But any application of a causal chain or force, already assumes the existence of a cause. This existence cannot, therefore, be the outcome of the use made of it. God had to be recast as the uncaused cause of the existence of all things contingent and His existence necessitated no cause because He, himself, is necessary.

This is flimsy stuff and it gets even flimsier when the issue of causal deviance is debated. A causal deviance is an abnormal, though causal, relation between events or states of the world. It mainly arises when we introduce intentional action and perception into the theory of causation.

Let us revert to the much-maligned owner of the sinking Titanic. He intended to do one thing and another happened. Granted, if he intended to do something and his intention was the cause of his doing so - then we could have said that he intentionally committed an act. But what if he intended to do one thing and out came another? And what if he intended to do something, mistakenly did something else and, still, accidentally, achieved what he set out to do?

The popular example is if someone intends to do something and gets so nervous that it happens even without an act being committed (intends to refuse an invitation by his boss, gets so nervous that he falls asleep and misses the party). Are these actions and intentions in their classical senses? There is room for doubt.

Davidson narrows down the demands. To him, “thinking causes” (causally efficient propositional attitudes) are nothing but causal relations between events with the right application of mental predicates which ascribe propositional attitudes supervening the right application of physical predicates. This approach omits intention altogether, not to mention the ascription of desire and belief.

Sam Vaknin ( samvak.tripod.com ) is the author of Malignant Self Love - Narcissism Revisited and After the Rain - How the West Lost the East. He served as a columnist for Global Politician, Central Europe Review, PopMatters, Bellaonline, and eBookWeb, a United Press International (UPI) Senior Business Correspondent, and the editor of mental health and Central East Europe categories in The Open Directory and Suite101.

Until recently, he served as the Economic Advisor to the Government of Macedonia.

Visit Sam’s Web site at samvak.tripod.com

Great Movie Tips01 Mar 2009 05:08 pm

Jim Rockford, played by James Gardner, spent five years in prison for an armed robbery which he didn’t commit and for which, he was later pardoned.

In 1974 Rockford arrived on our TV screens, negating our preconceived ideas that PIs were suave, debonair and earned a lot of money.

Rockford was not very good at investigating and avoided work when he could. He lived in a trailer and his car was an old Pontiac Firebird. Each episode began with the playing of an answer phone message which went “This is Jim Rockford. At the tone, leave your name and number and I’ll get back to you.” This was followed by some sort of threat from a creditor, often with regard to the repossession of the Pontiac. Each message was different and had nothing to do with the plot of the episode.

Jim’s father, Rocky, (played by Noah Beery Jr.) sometimes helped out with cases but often tried to persuade Jim to give up detecting to become a long distance truck driver, following in his own footsteps.

As with every private detective, Rockford had an inside man at the Los Angeles Police Department. Sgt. Dennis Becker (played by Joe Santos) did Rockford’s legwork looking up criminal histories and number plates and in return Jim often credited him with solving a case, which helped Becker’s career no end.

Sgt. Becker also took the part of Jim’s guardian angel when information provided by Angel Martin (Stuart Margolin), one of Jim’s prison cellmates, caused more trouble than it provided answers. This was a pretty frequent occurrence and when it resulted in Jim’s arrest, he would call upon his lawyer Beth Davenport (played by Gretchen Corbett). Beth was a one-time girlfriend but the emphasis became more on the “friend”.

Rockford only took on a case when the financial pressure from the answer phone became too great and clients would only come to Rockford as a last resort. He would take on a case which appeared to be quite simple, but of course, it never was. His specialization was cases which had been closed, unsolved, by the police and it was the situations which evolved from the apparently straightforward cases which caught the imagination of the viewing public.

Michael Russell - EzineArticles Expert Author

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Michael Russell
Your Independent guide to Private Investigators
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Great Movie Tips25 Jan 2009 05:18 am

Nominated for 28 Emmys, including several for Outstanding Visual Effects, Star Trek: Deep Space Nine continues the rich tradition of the original 1960s Star Trek franchise. Created by former L.A. police officer Gene Roddenberry, the Star Trek TV series morphed into a franchise famous for the unprecedented fanatical devotion of its audience. Lasting only three seasons during its original network run, Star Trek struck gold with its syndicated reruns, launching a number of motion pictures featuring the original cast as well as novels, comic books, collectibles, and reams of Star Trek-related memorabilia. Following on the heels of Star Trek: The Next Generation (1987), the first Star Trek series spin-off of the original, Star Trek: Deep Space Nine foreshadowed additional spin-offs - Star Trek: Voyager (1995), and Star Trek: Enterprise (2001). Sporting an entirely new cast and crew from its two predecessors, the show focuses on a particular system administered by the Federation instead of the usual Star Trek mission of “exploring strange new worlds”…

Star Trek: Deep Space Nine follows the exploits of the Starfleet crew aboard an abandoned and gutted Cardassian space station orbiting the planet of Bajor. In the aftermath of Cardassian occupation, the Bajorian government invited the Starfleet to oversee the reconstruction of the space station. Deep Space Nine quickly transformed into a teeming city of commerce and a hub for travel (similar to Babylon 5) thanks to the discovery of an unknown wormhole nearby. But the wormhole leads to the Gamma Quadrant, realm of the feared Dominion alliance, which views the wormhole travelers as a threat to its totalitarian grip on power. As such, the Dominion launches an attack against the Federation and its Klingon allies. The subsequent and ongoing war is the basis for Star Trek: Deep Space Nine…

Capt. Benjamin Sisko (Avery Brooks) is credited with discovering the wormhole, and he oversees the crew of Deep Space Nine as they wage battle to preserve the Federation. Ironically, his colleague, Constable Odo (Rene Auberjonois), is a Changeling - an alien race of “shapeshifters” who lead the Dominion’s united front. Together with the rest of the crew aboard Deep Space Nine, they struggle with internal and external conflicts that threaten to destroy their very way of life…

The Star Trek: Deep Space Nine DVD features a number of exciting episodes including the series premiere “Emissary” in which the recently abandoned Cardassian space station, Terok Nor, is resettled by the Federation at the request of the Bajorians. Capt. Benjamin Sisko takes command and his discovery of the first stable wormhole nearby, a wormhole worshipped by the Bajorians as a god, transforms Sisko into a prophet in the eyes of the Bajorians. Meanwhile, the audience meets the rest of the cast and crew for Deep Space Nine… Other notable episodes from Season 1 include “Move Along Home” in which Quark’s cheating prompts a group of aliens from Gamma Quadrant to exact revenge on the crew of Deep Space Nine, and “Dramatis Personae” in which an indwelling by aliens transforms Sisko and Kira into enemies of the crew…

Below is a list of episodes included on the Star Trek: Deep Space Nine (Season 1) DVD:

Episode 1 (Emissary: Part 1) Air Date: 01-03-1993
Episode 2 (Emissary: Part 2) Air Date: 01-03-1993
Episode 3 (A Man Alone) Air Date: 01-10-1993
Episode 4 (Past Prologue) Air Date: 01-17-1993
Episode 5 (Babel) Air Date: 01-24-1993
Episode 6 (Captive Pursuit) Air Date: 01-31-1993
Episode 7 (Q-Less) Air Date: 02-07-1993
Episode 8 (Dax) Air Date: 02-14-1993
Episode 9 (The Passenger) Air Date: 02-21-1993
Episode 10 (Move Along Home) Air Date: 03-14-1993
Episode 11 (The Nagus) Air Date: 03-21-1993
Episode 12 (Vortex) Air Date: 04-18-1993
Episode 13 (Battle Lines) Air Date: 04-25-1993
Episode 14 (The Story Teller) Air Date: 05-02-1993
Episode 15 (Progress) Air Date: 05-09-1993
Episode 16 (If Wishes Were Horses) Air Date: 05-16-1993
Episode 17 (The Forsaken) Air Date: 05-23-1993
Episode 18 (Dramatis Personae) Air Date: 05-30-1993
Episode 19 (Duet) Air Date: 06-13-1993
Episode 20 (In the Hands of the Prophets) Air Date: 06-20-1993

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Star Trek: Deep Space Nine (DVD).

Great Movie Tips01 Jan 2009 12:34 am

The brainchild of former Saturday Night Live cast member Mike Myers (Wayne’s World, Wayne’s World 2), Austin Powers: International Man Of Mystery burst onto the Hollywood landscape in 1997 and made a beeline for the cult classic Hall of Fame. A parody/satire of the popular James Bond films of the past several decades, Austin Powers gave birth to a number of quirky and famous characters such as Austin himself, Dr. Evil, Scott Evil, and (later) “Mini-Me”. Sporting some of the most outrageous antics and bathroom humor in the history of film, Austin Powers successfully utilizes its play on the James Bond series (because it so parallels the films) to create a memorable movie that will keep you laughing for two hours plus…

Mike Myers plays the role of Austin Powers - international man of mystery. Frozen in a cryogenic chamber since the 1960s, Austin is thawed out in the 1990s in order to take on his arch-nemesis Dr. Evil (who has also been frozen during that time period). A free-love advocate, Austin makes an immediate play for his new partner Vanessa Kensington (Elizabeth Hurley), daughter of his former spy partner Mrs. Kensington (Mimi Rogers).

Meanwhile, Dr. Evil collaborates with his entourage which consists of Number Two (Robert Wagner), Frau Farbissina (Mindy Sterling), and others. He develops a plan to steal a nuclear weapon and hold the world hostage for… one million dollars! No. Make that one trillion dollars!!! To carry out his task, Dr. Evil must not only face down Austin Powers and his beautiful partner, but he’s forced to grapple with the common-sense, quasi-evil tendencies of his son Scott Evil (Seth Green) with whom he’s constantly fighting. Can Austin Powers save the world? Or will Dr. Evil succeed in holding the world hostage?

The success of Austin Powers is wholly attributable to the unique comic mind of Mike Myers who not only starred in the leading roles, but who also wrote the screenplay. Myers’ portrayal of Dr. Evil steals the show with his evil laugh, diabolical grin, and propensity for all things evil (such as “evil petting zoos”). His soliloquy while receiving family counseling with Scott ranks as not only one of the best scenes in the film, but among the best scenes from any comedy film ever made. Elizabeth Hurley also turns in a good performance as Austin’s partner Vanessa (doing a far better acting job than the verbally-challenged Heather Graham who always seemed to be reading from cue-cards in the Austin Powers sequel).

Meanwhile, Will Ferrell (of SNL and Elf fame) makes a notable appearance as Dr. Evil’s henchman, Mustafa. His is a recurring character in later films. Overall, Austin Powers is one of the funniest films you’ll ever see. Unless outrageous comedy is simply not your cup of tea, I can’t think of any reason not to recommend this film. Although the sequels are hilarious in their own right, the original is the best (as is often the case), and that’s why Austin Powers: International Man Of Mystery is a definite must-see film…

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Austin Powers (DVD).

Great Movie Tips16 Dec 2008 07:00 am

Nominated for 20 Emmys and 6 Golden Globes, including Best TV Series - Drama, CSI (Crime Scene Investigation) quickly rose to become the number one show on television following its Fall 2000 premiere. The brainchild of creator Anthony Zuiker, the show follows the investigations not of traditional TV detectives working the streets, but forensic scientists who unravel complicated crime mysteries in their ultra-modern laboratory. Either the #1 or the #2 Nielsen rated show since the start of its second season, CSI has helped CBS to reemerge as the #1 network television station, spawning (similar to predecessor Law & Order) two series spin-offs CSI: Miami and CSI: New York. Each exciting hour-long episode begins with the theme song “Who Are You” by The Who, a song more than befitting of a show where criminals are aggressively tracked down, sometimes years after committing their crimes…

CSI focuses on the Las Vegas Police Department’s Crime Scene Investigation nightshift unit headed by Gil Grissom (William Petersen), a quirky outsider whose obsessive quest for the facts and dedication to his work dominates his life. The CSI team is composed of a number of individuals with differing backgrounds and personalities - single mother Catherine Willows (Marg Helgenberger) specializes in blood-splatter analysis, the highly competitive Nick Stokes (George Eads) specializes in hair and fiber analysis, recovering gambling addict Warrick Brown (Gary Dourdan) specializes in audio/visual analysis, and the rambunctious Sara Sidle (Jorja Fox) specializes in materials and element analysis. Throw in hard-nosed homicide captain Jim Brass (Paul Guifoyle), CSI understudy Greg Sanders (Eric Szmanda), and lab coroner Al Robbins (Robert David Hall) and all the ingredients are present for a show wrought with suspense, drama, and tension. As transients from all walks of life travel to Las Vegas to enjoy the wonders of its adult playground, increased levels of crime accompany them, and the team at CSI is determined to stay a step ahead of the criminal element…

The CSI DVD features a number of dramatic episodes including the series premiere in which Grissom investigates a murder police believe was staged to look like a suicide, but only minute tidbits of physical evidence are available to work with. Meanwhile, Warrick and Catherine investigate a local drunk who was shot to death while breaking into the home where he was staying, and Nick investigates a robbery… Other notable episodes from Season 1 include “Friends & Lovers” in which Grissom and Warrick investigate the murder of a man found naked in the desert while Catherine and Nick investigate the murder of a school’s headmaster by the school’s founder, and “Too Tough To Die” in which the CSI investigates the rape and attempted murder of a woman abducted from a mall parking lot…

Below is a list of episodes included on the CSI (Season 1) DVD:

Episode 1 (Pilot) Air Date: 10-06-2000
Episode 2 (Cool Change) Air Date: 10-13-2000
Episode 3 (Crate ‘N Burial) Air Date: 10-20-2000
Episode 4 (Pledging Mr. Johnson) Air Date: 10-27-2000
Episode 5 (Friends & Lovers) Air Date: 11-03-2000
Episode 6 (Who Are You?) Air Date: 11-10-2000
Episode 7 (Blood Drops) Air Date: 11-17-2000
Episode 8 (Anonymous) Air Date: 11-24-2000
Episode 9 (Unfriendly Skies) Air Date: 12-08-2000
Episode 10 (Sex, Lies, and Larvae) Air Date: 12-22-2000
Episode 11 (I-15 Murders) Air Date: 01-12-2001
Episode 12 (Fahrenheit 932) Air Date: 02-01-2001
Episode 13 (Boom) Air Date: 02-08-2001
Episode 14 (To Halve and to Hold) Air Date: 02-15-2001
Episode 15 (Table Stakes) Air Date: 02-22-2001
Episode 16 (Too Tough to Die) Air Date: 03-01-2001
Episode 17 (Face Lift) Air Date: 03-08-2001
Episode 18 ($35K O.B.O.) Air Date: 03-29-2001
Episode 19 (Gentle, Gentle) Air Date: 04-12-2001
Episode 20 (Sounds of Silence) Air Date: 04-19-2001
Episode 21 (Justice is Served) Air Date: 04-26-2001
Episode 22 (Evaluation Day) Air Date: 05-10-2001
Episode 23 (The Strip Strangler) Air Date: 05-17-2001

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the CSI (DVD).

Great Movie Tips18 Nov 2008 07:13 am

Nominated for 45 Emmys, and winner of 16 during its eight-year run on NBC, Mad About You became an instant smash hit among TV viewers, in large part due to its Seinfeldian portrayals of married life in the big city. Sporting a catchy piano-laden theme song, the series showcased the unique comic talents of co-creator and co-star Paul Reiser, who sought to produce a show telling the true story of married life (he would later publish the bestselling book Couplehood, a compilation of various anecdotes on relationships)…

Mad About You follows the lives of newlywed couple Paul (Paul Reiser) and Jamie Buchman (Helen Hunt), two urban professionals sharing an apartment in New York City. Although they are head-over-heals in love, the two appear to be near total opposites. Paul, a documentary filmmaker, is extremely meticulous, cautious, and careful. Jamie, on the other hand, is a public relations expert with more of a free-spirit outlook on life. With a number of friends and family always in the picture - Jamie’s sister Lisa (Anne Ramsay), Paul’s cousin Ira (John Pankow), and friends Mark (Richard Kind) and Fran (Leila Kenzle) - Paul and Jamie are constantly bombarded with job-related stress, the strange antics of their friends, and the discovery each others’ individual quirks and habits. And it’s a recipe that translates into great sitcom entertainment…

The Mad About You DVD features a number of hilarious episodes including the season premiere “Romantic Improvisations” in which, following a mere five months of marriage, Jamie informs Paul that their sex life in not quite what it used to be. To rectify the situation, Paul comes home early from work intent on planning a romantic evening, but everything unravels when the two discover that both of them thought the other one had cancelled their scheduled dinner plans with friends… Other notable episodes include “Out of the Past” in which Paul invites Jamie to a personal reunion with his ex-girlfriend, and “Token Friend” in which Paul avoids the subway when he discovers a former friend from film school is now a token clerk at the local station…

Below is a list of episodes included on the Mad About You (Season 1) DVD:

Episode 1 (Romantic Improvisations) Air Date: 09-23-1992
Episode 2 (Sofa’s Choice) Air Date: 09-30-1992
Episode 3 (Sunday Times) Air Date: 10-07-1992
Episode 4 (Out of the Past) Air Date: 10-14-1992
Episode 5 (Paul in the Family) Air Date: 10-21-1992
Episode 6 (I’m Just So Happy For You) Air Date: 10-28-1992
Episode 7 (Token Friend) Air Date: 11-04-1992
Episode 8 (The Apartment) Air Date: 11-11-1992
Episode 9 (Riding Backwards) Air Date: 11-18-1992
Episode 10 (Neighbors from Hell) Air Date: 12-09-1992
Episode 11 (Met Someone) Air Date: 12-16-1992
Episode 12 (Maid About You) Air Date: 01-06-1993
Episode 13 (Togetherness) Air Date: 01-13-1993
Episode 14 (Weekend Getaway) Air Date: 01-27-1993
Episode 15 (The Wedding Affair) Air Date: 02-06-1993
Episode 16 (Love Among the Tiles) Air Date: 02-13-1993
Episode 17 (The Billionaire) Air Date: 02-20-1993
Episode 18 (The Man Who Said Hello) Air Date: 02-27-1993
Episode 19 (Swept Away) Air Date: 05-01-1993
Episode 20 (The Spy Who Loved Me) Air Date: 05-08-1993
Episode 21 (The Painter) Air Date: 05-15-1993
Episode 22 (Happy Anniversary) Air Date: 05-22-1993

About the Author

Britt Gillette is author of The DVD Report, a blog where you can find more reviews like this one of the Mad About You (DVD).